Media Round Up: Ups and Downs

Jul. 13th, 2025 04:14 pm
forestofglory: A drawing of a woman wearing white riding a leaping brown horse (The Long Ballad)
[personal profile] forestofglory
Since it's more than halfway through the year I started to write a reflection on my reading goal for the year: "Read Joyfully" But I found I didn't have much to say about it other than it turns out its easier to engage with new to me fiction when I actually get enough sleep.

However I do have some thoughts on things I've read and watched recently to share:

The Truth Season 3cases 9 and 10 — The last two cases, I’m sad that this is over now! This was so, so much fun! The second to last case featured my favorite costumes of the whole show in show with many excellent costumes. This really a fairly frivolous show but I love it so much! (Content note: the final case involved a dead kid)

Mu Guiying Takes Command ep 1-4— I wanted to love this. It is an adaptation of The Generals of the Yang Family, a story dating back to at least the Ming Dynasty that features women in command of the military. The FL is very badass. However I got fed up with how childish both the leads were acting.

Also this was released in 2012 which isn’t really that long ago but it feels like a whole different era.

Medieval Textiles across Eurasia, c. 300–1400 by Patricia Blessing, Elizabeth Dospěl Williams, Eiren L. Shea— This is a novella length overview of the topic. About 80 pages with a lot of pictures. I liked how it tied together such a big area and a long time period. Zooming out helped me put the stuff I know about (Chinese textiles, mostly Tang dynasty) into a larger context. I read it for the FTH biography I’m creating on Liao textiles.

A Song for You & I by Kay O'Neill— My friend Maureen, who is a children’s librarian, recced this graphic novel by the author of the Tea Dragon Society books in her most recent newsletter. And I’m glad she did because I haven’t been keeping up with recent releases and this was really good. It's a very gentle story that’s kind of coming of age with a lot of travel. One of the characters has a flying horse! The art is really good. I kept stoping to admire the color gradients. Just a very lovely book.

Please Be My Star by Victoria Grace Elliott— Reading a A Song for You & I reminded me that my library has lots of graphic novels and I checked out a whole pile of them including this one. Please Be My Star is a YA romance featuring teens putting on a play. It was very cute though once or twice I got a little too much second hand embarrassment.

Jeongnyeon: The Star Is Born ep 1-4— This kdrama sounded so exactly my thing. It’s got preforming arts, tons of women, and crossdressing girls! It’s also very pretty and well done. So I’m baffled as to why after four episodes all I feel about it is “meh”

More Murderbot Articles

Jul. 13th, 2025 11:41 am
marthawells: Murderbot with helmet (Default)
[personal profile] marthawells
A really thoughtful essay on Murderbot: ‘Even If They Are My Favourite Human’: Murderbot Just Explained Boundaries

https://countercurrents.org/2025/07/even-if-they-are-my-favourite-human-murderbot-just-explained-boundaries/

“I Don’t Know What I Want”: The Line That Changed Everything

In the final moments of the season, Murderbot says: “I don’t know what I want. But I know I don’t want anyone to tell me what I want or to make decisions for me. Even if they are my favourite human.”

This is not a dramatic declaration. It is confusion wrapped in clarity. A sentence that holds discomfort and self-awareness in equal measure. It reflects a truth often ignored in stories about intelligence and emotion: that it is okay to not know, as long as that unknowing belongs to the self. In a world that constantly demands certainty, this line opens up space for uncertainty without shame.



* And a great interview with Alexander Skarsgård!

https://collider.com/murderbot-finale-alexander-skarsgard/

So, it just wants to start fresh and get away, and figure out who it is and what it wants. It doesn't really know that. I quite enjoyed that Murderbot didn't end up having answers to all the questions or knowing exactly what it wants. It's more messy and complicated than that. But it definitely knows that it needs to find its own path and make its own decisions, to make its own mistakes, and not have the Corporation or anyone tell it who it is or what it wants.

(no subject)

Jul. 12th, 2025 11:07 pm
ashkitty: (wwx curious)
[personal profile] ashkitty
In Dublin for now. There's a summer school thing I'm going to for the next two weeks to learn Old Irish, or at least make the attempt. I left Aber this morning in some confusion about whether there was a train (Nat Rail and TFW apps both showed no train, but it turns out there was, in fact, a train). Changed at Shrewsbury, where the new train was 1) delayed and 2) chockablock - in only two carriages there were two hen dos, a stag party and a large number of people going to Chester for the races. While it cleared out a bit after Chester, there was no AC to be had, so to prevent anyone getting ill, they passed out water (which was nice of them)!

Getting to the ferry itself actually went quite quickly once we got to Holyhead (15 min or so late, but whatever), and after that journey I quite cheerfully paid to upgrade to the 'hygge lounge', which is a quiet lounge with big recliner chairs and a great view. No regrets about that at all.

Arrived at Dublin port, phone decided it wasn't going to work yet, but employees there will book you a taxi. (Would this journey, clocking in at 10.5 hours at that point, be improved by an hour on public transit with luggage? It would not.) Anyway, we got stuck at an intersection when the car in front of us broke down.

But I have arrived! Felt like it was such a pretty night I should go out and explore and walk a bit, but am also very, very tired, and going to Spar for a sandwich to eat in front of the tv in my AIR CONDITIONED hotel room won out, in the end. Anyway, hi Dublin, looking good.

I should post more and maybe talk about stuff, but I'm lazy. Anyway, hi.

Murderbot Interview

Jul. 12th, 2025 03:05 pm
marthawells: Murderbot with helmet (Default)
[personal profile] marthawells
Here's a gift link for the New York Times interview with Paul and Chris Weitz, who wrote, directed, and produced Murderbot:

https://www.nytimes.com/2025/07/11/arts/television/murderbot-season-finale-chris-paul-weitz.html?unlocked_article_code=1.V08.exvw.M_qE37ROOT58&smid=url-share

The Everlasting, by Alix E. Harrow

Jul. 12th, 2025 02:51 pm
mrissa: (Default)
[personal profile] mrissa
 

Review copy provided by the publisher.

This is a bit like if The Book of Ash had a massively repeating time loop and was explicitly anti-fascist, and clocked in at almost exactly 300 pages.

So...not a lot like The Book of Ash actually. Ah well. It does have a scholar/historian, it does have examination of the legends of the past and how they serve the goals of the present. It does have complicated human relationships, and it does have about as much blood as something this full of swords should by rights have.

There's a love story at the heart of this, possibly more than one depending on how you read it, but structurally it is definitely not a romance. It might be the older kind of romance, with knights fighting for their honor, with strange and wondrous events. Time loops certainly qualify, I should think. But the characters have a real tinge to them--they are explicitly not the stained glass icons some of them see from time to time in the text. If I had one complaint it could be my common one with time loops: that it's hard to get the balance right so that repetition and change are harmonized in just the right way. But I'd still recommend the way Harrow is determined to examine how the stories we tell serve ends that may not be our own--and what we can do about that.

(no subject)

Jul. 12th, 2025 11:29 am
skygiants: the aunts from Pushing Daisies reading and sipping wine on a couch (wine and books)
[personal profile] skygiants
lest you think that having returned The Pushcart War to its rightful owner I went away with my bookshelves lighter! I did NOT, as she pushed 84, Charing Cross Road into my hands at the airport as I was leaving again with strict instructions to read it ASAP.

This is another one that's been on my list for years -- specifically, since I read Between Silk and Cyanide, as cryptography wunderkind Leo Marks chronicling the desperate heroism and impossible failures of the SOE is of course the son of the owner of Marks & Co., the bookstore featuring in 84, Charing Cross Road, because the whole of England contains approximately fifteen people tops.

84, Charing Cross Road collects the correspondence between jobbing writer Helene Hanff -- who started ordering various idiosyncratic books at Marks & Co. in 1949 -- and the various bookstore employees, primarily but not exclusively chief buyer Frank Doel. Not only does Hanff has strong and funny opinions about the books she wants to read and the editions she's being sent, she also spends much of the late forties and early fifties expressing her appreciation by sending parcels of rationed items to the store employees. A friendship develops, and the store employees enthusiastically invite Hanff to visit them in England, but there always seems to be something that comes up to prevent it. Hanff gets and loses jobs, and some of the staff move on. Rationing ends, and Hanff doesn't send so many parcels, but keeps buying books. Twenty years go by like this.

Since 84, Charing Cross Road was a bestseller in 1970 and subsequently multiply adapted to stage and screen, and Between Silk and Cyanide did not receive publication permission until 1998, I think most people familiar with these two books have read them in the reverse order that I did. I think it did make sort of a difference to feel the shadow of Between Silk and Cyanide hanging over this charming correspondence -- not for the worse, as an experience, just certain elements emphasized. Something about the strength and fragility of a letter or a telegram as a thread to connect people, and how much of a story it does and doesn't tell.

As a sidenote, in looking up specific publication dates I have also learned by way of Wikipedia that there is apparently a Chinese romcom about two people who both independently read 84, Charing Cross Road, decide that the book has ruined their lives for reasons that are obscure to me in the Wikipedia summary, write angry letters to the address 84 Charing Cross Road, and then get matchmade by the man who lives there now. Extremely funny and I kind of do want to watch it.
jazzfish: an evil-looking man in a purple hood (Lord Fomax)
[personal profile] jazzfish
The paperwork for my credential has FINALLY gone through, so I am actually done with BCIT. Unless I need to get a transcript or something, I guess. \o/

Meanwhile, have some links. Roughly zero percent of these are cheerful.

The culture war is a metaphorical war (for now), but the metaphor is valid makes two points, neither in as much detail as I would like.

One: "We liberals really need to acknowledge that (a) we are in a culture war and (b) we are the aggressors. Racism, sexism, and homophobia have been features of the dominant culture since... well, pretty much forever. We are engaged in a conscious effort to marginalize -- and, if possible, extirpate -- these tendencies, and we are using whatever means we have at our disposal to do so, including the sword of the state."

Two: "...[A] very deep cultural and psychological problem on the liberal-left, which is a pervasive tendency toward various types of Whig history, in which history itself is more or less assumed to move in an inevitable direction, with a sort of vaguely Marxisant or quasi-Christian eschatological faith that in the end the good guys have to win because that’s the ultimate plot line."

I do not, in fact believe that 'the moral arc of the universe ... bends towards justice,' because why would it? Any bending has to be done by us, by people who act to bend it, and in the face of thousands of years of tradition, fear, and resource-insecurity.

San Francisco in the middle sixties was a very special time and place to be a part of. ... There was a fantastic universal sense that whatever we were doing was right, that we were winning. And that, I think, was the handle - that sense of inevitable victory over the forces of Old and Evil. Not in any mean or military sense; we didn't need that. Our energy would simply prevail. There was no point in fighting -- on our side or theirs. We had all the momentum; we were riding the crest of a high and beautiful wave. So now, less than five years later, you can go up on a steep hill in Las Vegas and look West, and with the right kind of eyes you can almost see the high-water mark -- the place where the wave finally broke and rolled back.
--Hunter S Thompson, "Fear and Loathing in Las Vegas"

Related, I Want No One Else To Succeed: "I've been doing this experiment on classes for the past 10 years and not one class has agreed unanimously because there’s always somebody who doesn’t want someone to have what they have because they don’t think they deserve it."

Also related, [personal profile] rachelmanija reviews Dying Of Whiteness: "[W]hite people perceive their own interest as upholding white supremacy and punishing people of color and liberals. They value this so highly that they are willing to deprive themselves of money, material goods, and even their own lives in pursuit of this goal. And they are doing exactly that: literally killing themselves as a side effect of killing people of color, in a kind of cultural murder-suicide." Erik at LG&M reviewed it some years back as well. His concluding words feel prescient. "Until whites stop preferring to kill themselves rather than admit non-whites as full citizens of the nation, fascism will continue to be a serious threat to the rest of us. And to themselves too, but they will be A-OK with that."

Who Goes MAGA?, a fictitious analysis of various personalities. "It attracts those who mistake confidence for competence, who confuse being loud with being right, who think that admitting uncertainty is weakness." (Also links to Dorothy Thompson's 1941 essay "Who Goes Nazi?", also worth a read.)

And, in case the previous weren't depressing enough: Assuming the can opener of free fair elections and a subsequent Democratic victory in 2026 and 2028: "Will America’s non-fascist party have the will to purge the government of fascists?" In which the FBI is conducting witch-hunts against employees who were friendly with people on the director and deputy director's 'enemies lists'. Primarily concerned with There Will Be No De-Trumpification:
Imagine it is 2028 and Democrat X has won the presidency. Kash Patel will only be four years into his term as FBI director. Dan Bongino is now a career employee of the bureau. The entire agency will be stacked, top to bottom, with Trump loyalists.

Would a Democratic administration have the will to purge these Trumpist elements from federal law enforcement?

I’m pretty sure I know the answer. And you’re not going to like it.

There will be no housecleaning of any Federal agencies; Trump appointees will remain in place despite their commitment to opposing Democratic governance and priorities. There will be no significant rollback of ICE's increased budget and powers.

We have the model for this: Obama in 2008 declining to go after the banks; Biden's appointment of Merrick Garland to fail to investigate the 6 January coup attempt. Hell, the pardon and rehabilitation of Richard Nixon.

Well. Two hundred fifty years was a good run, I guess.

Okay, so I'm going to be...

Jul. 11th, 2025 08:19 pm
catherineldf: (Default)
[personal profile] catherineldf
at Readercon next week as a guest and I'm quite excited about it! I also have no plans whatsoever, beyond programming. Want to hang out? Eat a meal? Let me know!
pegkerr: (Default)
[personal profile] pegkerr
My nephew David got married this past weekend, on July 5, which happened to be my 39th wedding anniversary, which was rather bittersweet. We had family come in from out of town, so some of them got to meet M, which was a delight.

There was a July 4th welcome party at my sister's home, and then the ceremony the next day wonderful--so well-planned and heartfelt, and everyone had a marvelous time.

Unfortunately, I am not yet recovered from this terrible cold, and so I didn't stay for the dancing. I had to content myself with the videos and pictures of my family dancing late into the night.

Compare the collage made for one of my other nephew's wedding three years ago, Janus.

Image description: A couple smiles at the camera, fireworks exploding in the background. Overlaid over the fireworks are a semi-transparent clasped woman's hand and man's hand, each wearing a wedding ring. Lower left corner: a wooden box planted with wildflowers with the words "Welcome: We're so glad you're here. David & Jordan 7 . 5. 25

Wedding

27 Wedding

Click on the links to see the 2025, 2024, 2023, 2022 and 2021 52 Card Project galleries.

(no subject)

Jul. 10th, 2025 11:33 pm
skygiants: the aunts from Pushing Daisies reading and sipping wine on a couch (wine and books)
[personal profile] skygiants
I mentioned that I did in fact read a couple of good books in my late-June travels to counterbalance the bad ones. One of them was The Pushcart War, which I conveniently discovered in my backpack right as I was heading out to stay with the friend who'd loaned it to me a year ago.

I somehow have spent most of my life under the impression that I had already read The Pushcart War, until the plot was actually described to me, at which point it became clear that I'd either read some other Pushcart or some other War but these actual valiant war heroes were actually brand new to me.

The book is science fiction, of a sort, originally published in 1964 and set in 1976 -- Wikipedia tells me that every reprint has moved the date forward to make sure it stays in the future, which I think is very charming -- and purporting to be a work of history for young readers explaining the conflict between Large Truck Corporations and Pugnacious Pushcart Peddlers over the course of one New York City summer. It's a punchy, defiant little book about corporate interest, collective action, and civil disobedience; there's one chapter in particular in which the leaders of the truck companies meet to discuss their master plan of getting everything but trucks off the streets of New York entirely where the metaphor is Quite Dark and Usefully Unsubtle. Also contains charming illustrations! A good read at any time and I'm glad to have finally experienced it.

New Murderbot Short Story

Jul. 10th, 2025 09:33 pm
marthawells: Murderbot with helmet (Default)
[personal profile] marthawells
The new Murderbot short story is up at Reactor Magazine:

Rapport: Friendship, Solidarity, Communion, Empathy

https://reactormag.com/rapport-martha-wells/

Edited by Lee Harris, art by Jaime Jones.


And Murderbot was renewed for a second season!

https://deadline.com/2025/07/murderbot-renewed-season-2-apple-tv-1236453764/

“We’re so grateful for the response that Murderbot has received, and delighted that we’re getting to go back to Martha Wells’ world to work with Alexander, Apple, CBS Studios and the rest of the team,” Chris and Paul Weitz, said in a statement Thursday.

This Is the Hour (Feuchtwanger)

Jul. 9th, 2025 08:49 pm
cahn: (Default)
[personal profile] cahn
Via [personal profile] selenak, of course :) This was a very interesting and somewhat odd historical fiction book about Francisco Goya, the painter, and his life and times in the late 18th and early 19th centuries (the book begins with the Spanish court talking about Marie Antoinette's recent death -- so ~1793 -- and ends around 1800). I must admit that Spain is a big hole in my already-very-spotty knowledge of Europe, although opera fandom and salon helped a lot by filling in at least a couple of gaps about Philip II, the Escorial, and the Duke of Alba (and Philip V who thought he was a frog, but who does not appear in this book at all). Now, of course, Philip II was a couple of centuries too soon for this book (even I knew that!) but he's namechecked a couple of times, as is Fernando Álvarez de Toledo (Third Duke of Alba), again centuries too early but the forerunner of the Duchess of Alba in this book, who is a major character (María Cayetana de Silva; her husband Don José Álvarez de Toledo is a minor character).

Goya I knew absolutely nothing about, except that I knew he was a painter, and I knew (hilariously, from a Snoopy cartoon) he'd painted a kid with a dog (Google tells me this is his famous "Red Boy" painting). One of the really cool things about the book is the way it functions as an art guide (and one with a whole lot more context than usual art guides) to some of Goya's famous paintings. I only started following along with the wikipedia list of his paintings once I hit the middle or so (I read the first half on a plane and during a retreat), but I wish I'd done that the whole time! I know so little about art that it was helpful to have the "interpretation" of it right there (Feuchtwanger often includes the reaction of various people to the art piece, as well as Goya's feelings about it).

Indeed the book is dictated by the art, to a certain extent: if you look at Goya's pictures in chronological order (as I have now done), he does these sort of nice standard pictures until... about 1793, when the pictures start getting more interesting (and indeed the book starts with Goya making a breakthrough in his art). And then around 1800 is when he starts doing these crazy engravings that start looking much more modern -- like, you can totally see them as an artistic bridge between Bosch (namechecked in the book) and Dali (who obviously was yet to come far in the future) -- his book of engravings, Los Caprichos, is what the book ends on (and the title is taken from that of the last Caprichos engraving, Ya es hora).

It is curiously missing in any real sort of character arc -- I mean, Goya keeps talking about how he's progressed in life and thinks about things so differently now, but really he seems to me to be pretty much the same at the end as the beginning, except more battered by life. It's his art that has progressed, though. Instead of a character arc we have an art arc, I guess!

The book also cheerfully uses all the most sensational theories about Goya and the Spanish court possible, with the effect that it is quite compelling but does veer a bit into "wow, this is Very Soap Opera" at times. Basically, everyone is having torrid love affairs with everyone else, and all of that becomes totally relevant to all the politics that's going on. Some of this is attested historically, and some of it is less so. On one hand, Manuel Godoy, the Secretary of State, does appear to have had a close relationship with Queen Maria Luisa (Wikipedia, at least, does not think that there is any direct evidence they were lovers, but at least it's clear there were rumors). But as far as I can tell from Google, Maria Cayetana, Duchess of Alba, did die mysteriously, buuuuut there isn't any evidence at all that she died as a result of a botched abortion of Goya's baby. (Did I mention Very Soap Opera?? Yeah.)

It's sort of shocking to me that the book ends before any of the War of Spanish Independence, which happens just a few years later (which again, since I know zero Spanish history I just found out about while reading various wiki articles after reading this) or Goya's resulting engravings on The Disasters of War (ditto), although I guess all the signs are there as to what's going to happen -- it's not that different from what Feuchtwanger did in Proud Destiny, where even I know that the French Revolution is going to happen, but he doesn't show it in the book.

Requisite Feuchtwanger things: 1) protagonist is irresistable to the ladies and has multiple women who are crazy about him, check 2) small child dies, check.

Ranking in Feuchtwangers: I think the Josephus trilogy is still my favorite, and Jud Süß is still the one I'm most impressed by, but I did like this quite a bit, especially when I had the visuals to go with it.
Page generated Jul. 14th, 2025 10:17 am
Powered by Dreamwidth Studios